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Jill Carnegy, Countess of Northesk ( née Gomez; born 21 September 1942) is a Trinidadian and British who enjoyed an active career on the operatic stage and in the concert hall in a wide repertoire, and has made many recordings.


Life and career
Gomez was born in New Amsterdam, ,Blyth, A. Jill Gomez. In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997. to Albert Clyde Gomez, a Spanish Trinidadian and to Denise Price Gomez (née Denham), and brought up in Port of Spain, Trinidad and Tobago. Her father became managing director and vice-chairman of Angostura, the famous distillers, and her British mother was a well-known actress and broadcaster in Trinidad.

After studying at St. Joseph's Convent (Port of Spain) in Trinidad and dominating at the islands' biennial Music Festival, she moved to England at 13, where she studied voice and piano at London's Royal Academy of Music and Guildhall School of Music and Drama, where her most important teacher was . While studying at Guildhall, Jill performed the role of Helen on alternate nights with singer Ann Wilson, in The Conspirators (Shubert), directed by Brian Trowell. "You should be in opera" by Michael Church, in Caribbean Beat magazine (Issue #7, 1993)

Her career began at Glyndebourne where she twice won the John Christie Award, making her solo operatic debut as Adina in Donizetti's L'elisir d'amore with the Touring Opera in 1968. Also in 1968 came her Aminta in Il re pastore, at . Gomez then created the role of Flora in The Knot Garden at the Royal Opera, London in 1970 and that of the Countess in 's The Voice of Ariadne at the Aldeburgh Festival in 1973. She also appeared in productions by the English National Opera (Governess), (Elisabeth, Pamina, Anne Truelove, Leïla), (), (Tatyana, , Aminta, ), Glyndebourne (Mélisande, ), Grand Théâtre de Bordeaux (Fiordiligi), Wexford (Thaïs and Rosaura) and Teresa at the Berlioz Festival in Lyon.

She worked closely with in for Kent Opera (Edinburgh Festival and UK tour), and Eugene Onegin and The Turn of the Screw (with ENO). She also played the Governess with the English Opera Group with the composer, , present.Symbolic confusion Jill Gomez talks to Simon Mundy. Classical Music 29 March 1980.

Gomez was outspoken about the "international opera circus" and had no ambition to sing at the largest houses, preferring smaller venues such as Zürich where there is sufficient rehearsal time. She appeared in Jean-Pierre Ponnelle's production of there, conducted by Nikolaus Harnoncourt. She also sang Arne cantatas with Jaap Schröder and Concerto Amsterdam. She took part in 's Symphony No. 2 with the Israel Philharmonic under . As well as recording of , with she performed the Opp. 13 and 14 song cycles.

In 1995 Gomez created the lead role of the Duchess of Argyll in Powder Her Face. Her recording of the latter role was nominated for a , and in Allmusic Erik Eriksson wrote: "Gomez's portrayal is a tour de force, alternately opulent and unhinged. She achieves the difficult task of making a figure of ridicule into a person who evokes sympathy from the listener."Erik Eriksson, , Allmusic, All Media Guide, LLC. (accessed 6 December 2007) Alongside The Knot Garden and The Voice of Ariadne, she was also in the premieres of Miss Julie (, 1979) and Maddalena (, radio, 1980).Adam, Nicky (ed). Jill Gomez. In: Who's Who in British Opera. Scolar Press, Aldershot, 1993

Her TV debut was in the series Music Now produced by John Drummond in 1968–69,Drummond, J. Tainted by Experience. Faber & Faber, London, 2000, p171. and other TV and film credits include the French film Une Femme française, and television programmes A Ladies Knight! (1987), Rattle on Britten (1985) and a BBC programme Opera in Rehearsal: The Marriage of Figaro Act 2 with (1973). British Film Institute search for Jill Gomez, accessed 15 January 2014.

Gomez lives in with her husband, music critic Patrick Carnegy, 15th Earl of Northesk.


Selected discography
  • Thomas Adès – Powder Her Face, Almeida Ensemble Thomas Adès EMI Classics 7243 5 56649 2
  • William Alwyn – Song-cycle: Invocations (John Constable, piano) CHAN 9220
  • William Alwyn – Miss Julie (title rôle), Philharmonia Orchestra, Vilém Tauský Lyrita SRCD2218
  • Britten – A Midsummer Night's Dream (Helena), City of London Sinfonia,
  • Britten – Les Illuminations, Op. 18, Endymion Ensemble, John Whitfield EMI Classics 95579
  • Cabaret Classics: , , and – (seventeen songs) (John Constable, piano) - Unicorn-Kanchana
  • Songs of the Auvergne with the Royal Liverpool Philharmonic Orchestra, conducted by – awarded a Rosette in the Penguin Guide to CDs and DVDs (17 songs) EMI Eminence – CD-EMX 9500
  • Donizetti – Il giovedì grasso, Radio Teflis Eireann Symphony Orchestra (David Atherton) Foyer Cat: 1-CF 2036: Memories Cat: HR 4482
  • Manuel de Falla – The Three-Cornered Hat (complete), Philharmonia Orchestra, Yan Pascal Tortelier CHAN8904
  • Fauré – Pelléas et Mélisande, Suite Op. 80: "The king's three blind daughters", Rotterdam Philharmonic Orchestra, Philips 464701
  • Handel – (Antigone), Milan Baroque Ensemble, Alan Curtis
  • Handel – Acis and Galatea (Galatea), Academy of St-Martin-in-the-Fields, Argo ZRG 886–887
  • Alun Hoddinott – Sinfonia Fidei, Op. 95 with , Philharmonia Orchestra and Chorus, Lyrita 332
  • David Matthews – Cantiga, Op. 45, Bournemouth Sinfonietta, John Carewe – NMC 84
  • John McCabe – Notturni ed alba, City of Birmingham Symphony Orchestra, Louis Frémaux EMI Studio 63176
  • Monteverdi – Vespro della Beata Vergine 1610, Monteverdi Choir, Philip Jones Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner Decca 443482
  • Mozart – Don Giovanni (in German: Elvira), Orchester Ludwigsburger Festspiele (Wolfgang Gönnenwein)
  • Mozart – Songs – (sixteen songs) (John Constable, piano) SAGA 5441 LP
  • Pergolesi – Stabat Mater, Eufoda 1036 / 6803 143 LP
  • Poulenc – Dialogues des Carmélites, VB/Hilversum/Radio Philharmonic Orchestra (Henry Lewis) KRO-Radio/Antwoordnummer 234, 1200
  • Ravel – Trois poèmes de Mallarmé, BBC Symphony Orchestra, Pierre Boulez CBS M39023
  • Tippett – The Knot Garden, Orchestra of the Royal Opera House (Colin Davis) Philips 6700 063
  • Villa-Lobos – Bachianas Brasileiras No 5; Suite for Voice and Violin, Cello Octet, Peter Manning Hyperion 66257
  • Wagner – Die Feen (extracts), Orchester des Internationalen Jugend-Festspieltreffens Bayreuth (John Bell) Colosseum Colos SM 4002
  • Walton – Troilus and Cressida, Act II, London Symphony Orchestra (André Previn) CD recording from the BBC Proms: Sir William Walton's 70th Anniversary Concert: JG private collection
  • Walton – Songs after Edith Sitwell; A Song for the Lord Mayor's Table, City of London Sinfonia, Richard Hickox CHAN8824
  • Songs by Bizet, Berlioz, Debussy (John Constable, piano) LP SAGA 5388
  • A Spanish Songbook (piano, John Constable) , , , , , Walton/Sitwell, Gerhard, Tarrago, Rodrigo, Guiridi, Obradors, 1994, Conifer Classics CDCF 243
  • South of the Border ...down Mexico way (with The Markham and Nettle Piano Duo, National Philharmonic Orchestra, ). The Lady in Red by ; Begin the Beguine ; Moisés Simons; Perfida Alberto Domínguez; The Carioca ; Amor, Amor, Amor Gabriel Ruiz; Orchids in the moonlight Youmans; Pablo Santos; Nina from Argentina Noël Coward; Poinciana ; traditional; Sebastián de Iradier; Flying down to Rio Youmans.

  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages,

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